Thursday, October 19, 2006
"In the Works"
How I Became the Man I Am Today:
A Memoir of Sex, Drugs, and Spiritual Enlightenment
Written and performed by Kyle Bostian
Developmental reading and talkback
Sunday, December 17, 7:30 PM
NFAC 283, UWSP campus
Sunday, September 03, 2006
Inaugural Production
"a dizzying, ontological joyride through the post-everything American landscape ... and beyond"
With Tony Kaehny and Jeremy Larson
Thursday, September 28, 8 PM
Friday, September 29, 8 PM & 11 PM
Saturday, September 30, 6 PM
Mission Coffee Bar & Lounge
Downtown Stevens Point
Tix $5 general & $3 students at the Mission in advance or at the door
Meet the Horse Country Company
Tony Kaehny is honored to act under Kyle’s and Becca’s direction again, having done so in Discovery of America and Keely and Du, respectively, last spring. He and Jeremy have worked together numerous times, beginning with The Country Wife in 2003. He thanks his wonderful family and friends for their support.
Jeremy Larson is excited to be in NEW stAGE’s inaugural production. Favorite past roles include Castillo in Arthur Kopit’s Discovery of America, Nick in Sight Unseen, and multiple characters in Sex, Drugs, and Rock & Roll. He also performs Improv with The Dons. He thanks his parents for their endless support and love.
Becca Hengstenberg's previous directing credits include the UWSP Players production of Jane Martin’s Keely and Du, for which she received the Stelmahoske Student Directing Award, and Kyle’s play To(ta)lerance. She thanks the Horse Country team for the creativity & ingenuity which they contributed so generously!
Thursday, August 31, 2006
About the Founder
Why "Producing Dramaturg"?
I've chosen my title over the more common "artistic director" in order to reflect my approach to the process of developing and staging theatrical works. I see my function as facilitating communication between dramatist and audience, with the performer(s) being the media through which that sacred, communal interaction takes place. When the playwright is present and the script under development, I strive to help the author realize his or her vision in a way that can be translated effectively from the page to the stage. When it comes to finished work, I select material that I believe speaks powerfully for itself, without the need for me to impose my own "vision" on it. (Not that there's anything wrong with that in certain situations.)